Matt Murdock (
man_without_fear) wrote2017-06-03 01:35 am
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I'm here.
[previously: unbound]
Matt barrels through the door and finds himself in the hallway of the apartment building he'd left behind before being trapped in Milliways.
He takes a moment to get his bearings. Musty carpets, muffled TV's, traffic out on the street-- Russians.
Springing forward, Matt rushes for the stairwell; tackling the staircase several steps at a time and leaping the banister to drop the last flight. His lungs are burning and his heart is drumming loud when he finally makes the street.
The city slams into him: pedestrians and traffic, the caterwauling of sirens, dirty storm drains, and broken bottles reeking in the alleyway. But, no Russians, no car, and no Claire.
Hands on his hips and head tilted back at the sky, Matt struggles to catch his breath through the twin fists of defeat and guilt clamped around his windpipe.
He's lost her.
[dialogue taken from Netflix's Daredevil: 1.4 - In the Blood]
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"Never had a doubt."
With Mike's help, she scrubs her face clean, revealing a split lip, abrasions on her right cheekbone, raw scrapes on her forehead and chin, and an ugly gash near her right temple.
Unable to entirely stifle a wince, she sets aside the soiled towel, her knee bumping his as she does so.
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Right now, through her, he feels like everything hurts.
Moving the bowl of tainted water aside, he reaches down to give her knee a steadying pat.
"Think we're ready for bandages."
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"Mm," she says, watching as he tears open an alcohol wipe, "my favorite part."
She licks her lips, and runs her tongue along her teeth, scraping copper from her taste buds.
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"This isn't gonna feel great," he warns her, voice soft and apologetic.
Holding his breath he leans in and uses steady hands to gently clean the gash on her temple.
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"You've got pretty good hands for a blind guy."
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"I used to patch up my dad."
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"He run around in a mask, too?"
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"He was a boxer. Took a lot of beatings."
Discarding the adhesive backing on the bandage he leans in again to carefully apply it to her temple.
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They're both chuckling as Mike presses the bandage in place.
Claire grimaces, no longer laughing.
"Ow, shit."
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When she flinches he pulls his hands back, resting them in his lap.
Regarding her, he wets his lips and speaks a soft, "I'm sorry."
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Finding Mike's patch job more than satisfactory, she waves off the unnecessary apology.
"Don't be," she says, unable to stifle a wince as she speaks. "It's okay. You've had a lot worse."
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He takes a breath, the shake of his head almost imperceptible.
"I never thought that I'd be putting anyone else at risk." Foolishly, he knows now.
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"It was my choice. You didn't ask me to pull you from that Dumpster."
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"And you almost got killed. Because of me." The guilt over that thought cuts deeper than any wound she's ever patched for him.
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"Tell me it was worth it," she says, not unkindly, as she shifts again and straightens her spine against the back of the chair. "Tell me that you've got a plan."
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He can't give her anything. Not promises, or assurances, not even a course from here.
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"An end game?" Urgent, now. She has to believe this is bigger than her, bigger than nearly being beaten to death. "Anything?"
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He was just tired of standing by listening to his city fall apart.
The Devil finds work for idle hands...
And now, how does he explain that to someone who nearly gave her life for what he started?
"I'm-- I'm just trying to make my city a better place. That's all."
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A better place. What does that even look like from here?
She shifts again in her seat, radiating discomfort from every pore.
"Ow," she murmurs, mouth tightening when she carefully rolls her left shoulder. "I think maybe it's a little more complicated than that, now."
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"Nothing's changing out there."
Beyond them and his kitchen there's a siren wailing in the dark. Downstairs on the street a drunk stumbles into a line of garbage cans. And somewhere in the hidden shadows a faceless man named Fisk pulls strings, runs crime and gets away with it.
"No matter what I do, I'm just-- I'm making things worse."
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"Tell that to the boy you saved from the Russians," she says, "or all the other people you've helped."
This is what a better place looks like: giving a shit, and turning intent into action.
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In each movement and breath she takes he can hear the signs of pain beneath.
Her heart and lungs each stutter when she tenses. One or two of her ribs are fractured, maybe broken. Each word she speaks seems to require extra enunciation to get around the split in her lip and the swelling of her jaw.
The Russian's may have been the ones to take her, but he's the one who did this to her.
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Her palms feel tight, itchy, clammy; she runs her hands along the thighs of her grime-streaked jeans, and opens her mouth to speak.
Her lower lip trembles.
She breathes out once more. In.
"Feel my heart."
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He cants his head, listening, hesitating, not sure what she wants from him.
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She licks her lips, and gestures to her chest.
"C'mon, feel it."
She takes his hand in both of hers, and guides his palm to her sternum. Beneath the thin cotton of her sweat-stained blouse and camisole, behind bruised skin and aching bone, the rabbit-quick drum shares secrets meant only for Mike's heightened senses to interpret.
"What is it telling you?"
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